keine Angaben zu Lebensdaten, Assistant Professor of Music; Instructor in Bass at Eckerd College; Ph.D. in musicology at the University of North Carolina at Chapel Hill

Wirkungsdaten 2012-, Ph.D. student in Musicology at the University of British Columbia. His research focuses on conceptions of nature in music of the twentieth and twenty-first centuries.

Wirkungsdaten 2011-, B.A. in Music; University of Pennsylvania; M.A. in Historical Musicology; Ph.D. in Musicology; University of Michigan; Ann Arbor. Interessen: Organization theory; cultural innovation; production and; consumption; institutional logics; complexity; and contradiction; nonprofit governance and strategy; particularly in the performing arts.

Wirkungsdaten 2017-, Ph.D. candidate in cultural musicology an der University of California; Santa Cruz. Schreibt Dissertation über das Ford Foundation’s 80 Millionen Dollar-Programm für Sinfonieorchester in den 1960ern und 70ern.

Wirkungsdaten 2008-, Ph.D. in Musicology. Twenty-nine years as a professor of musicology at the University of Utah. Publikationen mit Schwerpunkt auf Madrigal; Musiktherapie.

Wirkungsdaten 2013-, Ph.D. student in musicology; University of Illinois at Urbana-Champaign. Research interests: eighteenth and nineteenth-century music; American music; especially blackface minstrelsy; ragtime; early jazz.

keine Angaben zu Lebensdaten, holds two Master degrees - in mathematics and in musicology - and a Ph.D. in music theory from Comenius University; Bratislava; Slovakia and serves on the Editorial Board of the Journal of Music Theory and is an Editor-in-Chief for the Journal of Mathematics and Music.